Cigarette Products:

The Social History of Smoking

George Latimer Apperson

Chapter 7:

This print is now chiefly of interest because the plate was adorned with a tiny etching by Hogarth, in which appear the figures of the British Lion and Britannia, both with pipes in their mouths, Britannia being seated on a cask of tobacco.

Hogarth was fond of introducing the pipe into his plates. In the tail-piece to his works, which he prepared a few months before his death, and which he called The Bathos, or Manner of Sinking in Sublime Paintings, the end of everything is represented. Time himself, supported against a broken column, is expiring, his scythe falling from his grasp and a long clay pipe breaking in two as it falls from his lips. This was issued in 1764—Hogarth's last published work. In the plate which shows the execution of Thomas Idle, in the "Industry and Idleness" series, Hogarth depicts the little hangman smoking a short pipe as he sits on the top of the gallows, waiting for his victim. The familiar plate of A Modern Midnight Conversation shows a parson in surplice and wig smoking like a furnace while he ladles punch from a bowl—probably meant for a portrait of the notorious Orator Henley. Most of the other guests are also shown smoking long clay pipes.

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The Social History of Smoking

George Latimer Apperson

Chapter 13:

A story is told of Sir Walter Raleigh by John Aubrey which seems to imply that at first women not only did not smoke, but that they disliked smoking by men. Aubrey says that Raleigh "standing in a stand at Sir R. Poyntz's parke at Acton, tooke a pipe of tobacco, which made the ladies quitt it till he had done." But this objection, whether general or not, soon vanished, for, as we have seen in a previous chapter, the gallant of Elizabethan and Jacobean days made a practice of smoking in his lady's presence. It seems certain, moreover, that some women, at least, smoked very soon after the introduction of tobacco; but it is not easy to find direct evidence, though there are sundry traditions and allusions which suggest that the practice was not unknown.

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